Vogue 9253

Many of you will know what pattern I’m talking about when I say “the one with the deep V!” Yes, the iconic Vogue 9253. This pattern took the online sewing community by storm four years ago when I first started sewing my clothes. I still admire it when a new iteration pops up on my Instagram feed. I really love the simple, yet elegant design, with its pleated empire skirt, kimono sleeves and it’s plunging neckline. To date there are over 3000 versions of this pattern on Instagram, plus more now that Vogue has renamed this pattern Vogue 1735.

The pattern is relatively simple to make, but in true to the big four form, the instructions are sparse. A little sewing knowledge definitely helps to fill in the gaps. For me, the hardest part was installing the invisible zipper, which I had to unpick and redo. I never get it right first time!

To start with, I made a quick toile of the bodice. I decided to size down and graded out from the smallest size at bust to the next size for waist and hips. I find the big 4 usually run large for sizing. On my toile I noticed I had a lot of excess fabric around the shoulders (vertical drag lines running down from mid shoulder). So I did a narrow shoulder/small bust adjustment by slashing and overlapping pattern pieces as seen below. I also increased the bodice length by 1.5cm. I decided to draft a facing around the neckline instead of fussy bias binding; I find it a much tidier finish. To do this I just traced off the neckline at a depth of three inches.

I knew to make this dress wearable I would have to zip up that plunging neckline, as it’s verging on belly button level!! To do this I ladder stitched the v closed to a level I was comfortable with. I may try a different method next time, as it seems to raise the centre front seam. I also decided not to attach the tie to the skirt (in case of dressing gown vibes – thanks husband for pointing that out). So I have the option of wearing it without the tie or use another belt,

Now can we just have a moment to admire this glorious print; the detail and vibrancy is incredible. Lady McElroy fabrics certainly don’t disappoint and they have the most beautiful range of high quality prints. As soon as I saw this fabric being offered, I didn’t hesitate to request. This was the first time I’ve used a Lady Mcelroy Marlie Lawn and I would compare the quality to a Liberty Tana Lawn. It’s lightweight and finely woven giving it a wonderful silky texture.

Unfortunately I only ordered 2.5m which meant I just scraped through having enough fabric. I did have to make the skirt 3 inches shorter due to fabric constraints but I prefer a midi length on me. I also wasn’t too fussy on pattern matching such a busy print. I just made sure I placed the bodice pieces to be aesthetically pleasing. I really didn’t want to look like I had a bird nest perched on my breast or butt!

I love this dress and I think the style works really well with a larger scale print. I’m so pleased I’ve finally made this popular pattern. Once again thank you Minerva for supplying me with such beautiful fabric. Now I need to be invited to some fancy events to show it off!

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